Instagram Reels: Dud or Diamond?

As the dust settles around the newly founded Instagram ‘Reels’, we discuss definitions, developments and the general discourse to see if it could be a worthy new addition to your own social strategy.

Instagram Reels: ‘Dud’ or Diamond?

Announced a little over a month ago, Instagram coined Reels as ‘a new way to create and discover short, entertaining videos on Instagram’. The in-app feature allows you to share videos with your followers and (depending on your privacy settings) the Instagram community, through the explore page. Once the video is shared, it can then be found on a separate Reels tab on your profile, and your main profile grid.

The explore tab, which is the current home of Reels, is where you will find the latest trends on Instagram made by anyone – not just those you follow. Explore hosts a variety of different content, including regular posts, reels, videos, and shopping. You may also notice ‘featured’ content which is selected by Instagram to help you to discover original content.

Later postulates that ‘While the Reels algorithm hasn’t been locked down yet, it feels similar to the TikTok For You page. It’s likely influenced by who you already follow, what content you interact with, and where you’re located’. To give Reels a greater sense of autonomy, Instagram are currently trialling a dedicated Reel button in the control panel for Android users in India.

Instagram Reels in action

Reels for Brands & Businesses

Reels is an in-app feature of Instagram, meaning their 1 billion active users automatically have access to the feature, unlike competitor TikTok which is an app requiring a download. This means that users are more likely to give it a try with it being less of a commitment than a download. Businesses will find this useful as, if they already have a following on Instagram, they won’t need to build another on a different platform.

What’s more, due to Reels being on the Explore page, users who don’t follow you will see your content. This is a great exposure opportunity to gain awareness and followers for your brand.

One of the main criticisms of Instagram is that the content tends to be structured and ‘fake’. Reels poses as an opportunity to allow brands to have fun with their creative expression and show personality. An example of a brand who are already successfully embracing Reels is Louis Vuitton. The Louis Vuitton channel is already averaging on 8 million views and has stirred a stylistic trend following their recent videos.

An issue brands may encounter, is that the only analytics available at present are view count, likes and comments. This is problematic in seeing the all-important social conversion point. Vox reported that as a user one of the biggest issues is ‘Almost all the content is from blue checks’ meaning its ‘the same résumé-approved content that makes Instagram boring in the first place’.

Whereas TikTok is crammed full of creators, thus far Reels’ creative space feels dominated by the brands and influencer. This makes the space feel commercialised, contrived, and inauthentic.

Reels vs. TikTok

The New York Times labelled Instagram Reels a ‘TikTok clone’ and a ‘dud’, but to finally address the elephant in the room, how does Reels really compare to TikTok?

Starting with the points of likeness, foundationally both allow users to create, edit and share videos. From here things begin to differ – firstly – TikTok is a standalone app, whereas Reels is a feature on the Instagram app.

Whilst TikTok has the illustrious algorithm-driven ‘for you’ page, Reels’ home is currently the explore page, which the New York Times describes as ‘a mishmash of photos, sponsored posts and long-form videos’. The ‘For You’ page is also an easy way to go viral, while with Reels, your exposure is generally limited to a minimal SoV of the explore page.

Reels also lacks a space to post ‘friends only’ content, it can either be posted for the world on the explore page or your entire follower list on private accounts.

Reels’ explore page

Then there’s the simplicity of TikTok, you can upload videos in bulk and the platform will create a slick compilation video in under 10 seconds. Reels is noticeably more difficult to navigate and the result doesn’t have the same smooth feel.

Another benefit of TikTok is the ability to download the videos (watermarked with the TikTok emblem) and then upload to different platforms. With Reels when you download videos, due to copyright issues, the music is stripped from the video.

Finally one of the most used features on TikTok is ‘duet’, this allows users to ‘reply to video content’ and thousands of these videos have gone viral. This is just one more feature that Reels doesn’t possess.

Is it the Reel deal?

Forbes has found that ‘Almost nine in ten TikTok users who have used Instagram Reels say that Facebook’s TikTok competitor is basically the same as TikTok’. However, due to their similarities, Forbes found that ‘61% said they’ll be spending more time in Instagram’ – and unsurprisingly since – Instagram usage is up. This shows that the similarities, despite being obvious, could be beneficial in attracting users to a recognisable format.

Lest we forget the rise of Instagram Stories, once known as the Snapchat clone, it now dominates the ‘story’ scene. This proves Instagram’s ability to take an idea, build on it, and break their audience into it.

Also, a small reminder that Reels is in its infancy, a mere month and a half into its life, Instagram has plenty of time to amend and adapt the app to make it as streamlined as TikTok. Take the trial of the Reels button in India, this would solve the explore page issues discussed previously.

Perhaps Reels won’t be the new TikTok. But that doesn’t change the fact that as a feature, it could add a lot to your brand. Reels presents itself as less of a risk than TikTok, more of a means to have fun and continue to be supported by your fan base.

Take this opportunity to engage a different mass audience – those who prefer quick content that’s easy to digest — and do it quickly, before the market becomes over-saturated.

 

If you found this update useful, check out our latest blog posts for the latest news, and if you’re interested in finding out more about what we can do for your brand, get in touch with the team today.

TikTok: Myth-busting the hottest app of the year

Are you thinking about including TikTok in your marketing strategy? Or just wanting some knowledge on the topic? In this article we’re going to myth-bust the cultural phenomena that is TikTok and explore how you can look to embed it into your own strategy.

It seems a day doesn’t pass without TikTok appearing in the headlines. Whether you’re a fan or a foe of this scandalously popular platform, you can’t dispute the media storm has placed it at the epicentre of current affairs. TikTok was recently dubbed as having created a ‘completely new subculture’ and the proof is in the pudding with over 2 billion downloads worldwide. 315m of these downloads have happened since lockdown began, the most downloads any app has ever gotten in a single quarter.

800 million of these are now active monthly users, ranking it 7th in the world above the likes of Snapchat, Linkedin and Twitter. But with Donald Trump pushing for a US ban on the app, in addition to subsequent security concerns globally and the introduction of competitor apps (such as Instagram’s Reels launching at the start of August) is it worth you getting involved with the app?

Before you can make that decision, let’s delve into the truth behind seven of the biggest myths surrounding TikTok.

1. TikTok is just for Gen Z

Despite the TikTok’s world domination, many brands are put off from working with them as they believe its audience to be too young. It is undeniably true that the app has a young audience, in fact, it’s estimated that 66% of users are below 30. But this breaks down into a mix of both Gen Zers and Millennials, and the millennial sector of this (along with the older groups) is rising continuously.

As the app slips further into the mainstream we are seeing people of all age groups become involved with it, so don’t be put off by the average age.

2. My brand doesn’t suit TikTok

The issue here lies not with the age of the audience, but the perception of brands and marketers that a younger audience isn’t as valuable. This puts many brands off working with TikTok as they feel it doesn’t ‘suit’ their brand.

However, it’s important to understand the younger audience is the future of the consumer market, and the more brands place themselves into this sphere, the more they will reap the benefits in the long term.

Regardless of their sector, we are now seeing more brands stepping out and working with Tiktok, such as Manscaped, Easy Auto Savings, Chipotle, Turbotax and Experian.

3. You can’t commercialise TikTok

It’s true that, originally, TikTok was concerned with user experience as opposed to potential monetisation. But in June 2020 TikTok introduced TikTok for Business to help brands find their feet on the platform. Spearheaded with the tagline ‘don’t make ads, make TikToks’, the platform invites brands to get creative with their advertising.

They have since introduced several forms of ads, such as in-feed video ads, brand takeovers, hashtag challenges, branded AR content and Custom influencer packages. Before this, TikTok’s main source of monetisation came in the form of ‘coins’, where users can ‘tip’ their favourite creators.

It’s estimated around $456 million  (approx. £347 million) has been spent on TikTok coins since their introduction, and this is how TikTok was previously making their revenue. Following the introduction of ads in 2019, it’s estimated that TikTok’s monthly earnings went from $3.5 million to $14.7 million directly disproving the monetisation concerns around the app.

Charli D’Amelio is the most followed account on TikTok, with over 78million followers and 5.7billion likes

4. Engagement rates are higher across other social media platforms

Previously Instagram has the highest engagement rate however, since TikTok found fame, times have changed. According to a sample of 1000 influencers studied by Influencer Marketing Hub, TikTok’s engagement rates were notably higher than Instagram and Twitter. This comes as no surprise as TikTok’s primary function is for engagement.

TikTok itself postulates that the platform ‘enables everyone to be a creator, and encourages users to share their passion and creative expression through their videos’. The engagement levels prove that encouraging engagement, participation and creativity across the app is working successfully.

5. TikTok is best for targeting the Asian market

TikTok’s roots are deeply embedded in Asia, and this certainly was the first market it found its success. However, since then, TikTok has spread across the world, now active in 155 countries and 75 languages.

According to Route Note, the country with the most users is India, followed by the US. Also among the top 10 are Germany and France, proving that TikTok is rife across all continents, not just Asia.  

6. TikTok’s algorithm is a secret

That was true, up until recently. A few months ago TikTok put rumours to bed by finally revealing the truth behind their algorithm. The factors that affect your feed are; user interactions (content you like/ share, creators you follow, comments posted and content created), video information (i.e. captions, sounds and hashtags) and device and account settings (e.g. language, country and device).

These factors are then devised into indicators of interest. An example of a strong indicator is completion rates of video, whereas a weaker one would be country of origin. This means that feeds are unique, based heavily on interest and activity.  

TikTok has expressed concerns about optimising for personalisation and relevance due to the potential to create ‘filter bubbles’. This is when a user continually sees the type of content they are most likely to engage with. Tiktok has said they making moves to rectify, ensuring they are diversifying feeds to keep their audience interested.

7. You need thousands of followers to go viral

On networks like Instagram, generally, to go viral you need to have a lot of followers. On TikTok, they have moved away from this stating ‘neither follower count nor whether the account has had previous high-performing videos are direct factors in the recommendation system’. This means you can have just a few followers and still go viral, making the process far more authentic.

 

SO, IS TIKTOK RIGHT FOR YOUR STRATEGY?

Heading back to our original question, and with Donald Trump now looking to have TikTok either banned or sold by mid-September, is it worth getting involved?

The details of this answer depend on your brand, location and budget but, on the whole, if you have the capacity test and see what TikTok can do for you. As TikTok continually features in the mainstream media, it will catch the interest of a wider audience which could result in broader popularity. Just like all trends, there will be a peak and a trough. But as we’re now at a point where we’re seeing continuous growth, why not get creative and get involved while you have the chance?

 

Check out our latest blog posts for the latest news, and if you’re interested in finding out more about what we can do for your brand, get in touch with us today.

10 brands responding through social media to COVID-19

Stopped to check your screen time on your phone recently? With the world indoors in response to Covid-19 there has, perhaps unsurprisingly, been an increase in content consumption across digital media. Social media is no different to this, with all channels seeing usage levels skyrocketing since lockdown, LinkedIn alone reported seeing engagement growth rise by just shy of +3000% from January to March 2020. In response to this brands are acting accordingly – producing endless content to satisfy the insatiable hunger felt by a planet of people trapped indoors.

Newsfeeds are swamped with brands’ responses to the outbreak, company announcements and tips for the isolation period. So, the question remains, how do you get your brand heard amongst a sea of voices? To help you gauge what works, we have compiled a list of ten brands that have taken to social media to offer a response to COVID-19.

1. H&M

H&M, who have amassed a total of 8.3M followers internationally, have taken the notion of giving their voice to those that need it in a very literal sense by allowing ‘takeovers’ of their social media from global aid organisations. A simple idea but highly effective, offering an international platform to organisations such as the Red Cross to spread information and help across the globe.

2. Nando’s

How acceptable is humour in a time like this? As Harvard Business Review states ‘the nuances of brand voice are more delicate than ever’, so the real challenge here is understanding your audience and your brand perception. Nando’s is a great example of a brand that can play with humour in an effective, yet informative, way. Remember, it’s times like these that social media offers an escape through humour and light-heartedness, and we all need a laugh right now.

https://twitter.com/NandosSA/status/1240273369498636290

3. Volvo

Copy done properly. Volvo have put a minimalistic slant on this clever example of anti-advertising. As a multi-million-pound brand they have taken this opportunity to use their internationally renowned position to promote an important message in a very savvy manner.  

4. Ikea

On brand and on-point, here Ikea Israel have repurposed the oh-so-familiar flat-pack instruction manual formatting to create their most unforgettable manual yet.  

5. Guinness

A genius approach from Guinness, this social media post found its fame initially as a fake Guinness campaign that went viral. The artwork has now been authenticated by the Guinness brand who too were fans of this creative concept.

6. Nike

Playing on the conscience of the consumer this clever post from Nike tackles both the ‘play (or stay) inside’ message along with the idea of community spirit that is so tangible in the current climate. This message translates health officials’ guidelines, whilst maintaining an undeniably Nike feel.

7. Burger King

Taking to the outdoors to convey their stay indoors message, Burger King Belgium presents an industrial scale change of tack. This brand opted to change their iconic ‘Home of the Whopper’ slogan to a more contemporaneous ‘Stay Home’ message. Bold and brave, this eye-catching amendment offers a physical reminder of the government recommendations seen across the world.

8. Vogue

Powerful and poignant, Vogue Italia responded to the devastating crisis by leaving their front cover plain white for the first time in their history. Editor in chief Emanuele Farneti supplied the accompanying copy ‘Above all: white is not surrender, but a blank sheet waiting to be written, the title page of a news story that is about to begin.’ A strong sign of optimism, hope and respect in these times of darkness.

https://www.instagram.com/p/B-r-8mxqzXk

9. Gym Shark

Low cost and high impact, Homeshark (otherwise known as Gymshark) simply changed their display name in an effective PR stunt that resulted in their most liked Instagram photo.

https://www.instagram.com/p/B-cN0eygomL/

10. Go Outdoors

Following a similar path, Go Outdoors shared a short promotional video branded ‘Go Indoors’ displaying the beautiful British landscapes and urging the viewer to ‘stay at home’ to ‘protect the NHS’ and ‘save lives’.

So, there we have it, ten brands covering a breadth of audiences, nations and tones all responding in different ways to the COVID-19 crisis. What we can learn from this is the importance of expressing your brand’s voice in this time, as Ted Murphy founder of IZEA put it, ‘We see significant opportunity for brands to connect with an audience that is hungry for content, education, and online social experiences’. The answer is not should we speak, but how do we want our voice to be remembered.  Take the time to uplift your audience, praise you heroes and you will find your brand remembered on the right side of history.

Stay safe, stay home and save lives.

For more information on Social Media and SEO market updates take a look at our other blogs.

GOMO or Go Home?

Testing the Malleability of OOH Media in a Transitional Digital World.

For years outdoor media has remained solid yet stagnant. Time may change but the reliability of a forty-foot poster has rarely been questioned. Without realising it, we are subject to ads in our outdoor life hundreds of times a week. They have become part of our daily commute, local environment and city architecture. But, as we journey further into the digital age, we are no longer accustomed to taking in our surroundings. Instead, we are increasingly more concerned with the world at our fingertips. Since the growth of digital media, outdoor media must work harder to gain the attention of the average consumer. Today billboards must compete with their immediate surroundings, alongside online traffic.
 
In today’s society, outdoor media is striving to be brighter, bolder and smarter than ever. Traditional billboard sites are being replaced by digital screens on a weekly basis. These screens offer the opportunity for more impressions, many creatives and a mix of ads every minute. So what is the latest step in the plight of OOH (out-of-home) media? Meet the iWalker by GOMO…
 
The iWalker is a wearable digital communication tool that moves with your audience. The device acts as a harness supporting a large screen above the head of the wearer. It also has speakers pumping music of the companies’ choice to the surrounding crowds. The device is eye-catching and attention-seeking. Used in the right location it represents a hybrid of events based promotion and outdoor media.
 
The selling point of the iWalker is, at present, the spectacle of it. The device catches the attention and not the eye of crowds, and in return, the device absorbs the data of the crowds. When presented with a scene, the iWalker analyses the situation and obtains data from the surroundings. It has the capacity to do several things, for example, viewer counting. The iWalker can detect all faces in the scene so the number of impressions is reliable and not estimated. It also tracks faces – monitoring how long a face remains in the scene – thus deducing dwell time and attention time. The device can then classify the gender and age of an individual. This means that the post-campaign analytics are tested and reliable thus improving the ROI.
 
Will the iWalker will prove to be another fad of the media world? Or will it will be as influential as the billboard was? Regardless of opinion, it is pushing the boundaries of outdoor media and offering movement to a static world.